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In true 40s gumshoe style, Laura often donned a fedora. |
Try this for a deep dark
secret… The great detective Remington Steele? I’ve been sleeping with him.
Well, not in the way you think. I’ve
just been playing the DVDs of the 1980s detective romantic comedy in order to
try to fall asleep. It has been working
really well for me with none of the weird side effects of Ambien. There is something incredibly soothing about
knowing that Remington and Laura are on the case. No matter what, they will eventually
figure out a mystery, toss in a lot of clever quips and then more likely than
not, end up in a clinch.
For Throwback Thursday, I thought I would re-visit one of my favorite shows
from a long, long time ago. This is kind
of the “at large” stuff I had in mind when I named this blog.
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He is so soothing. |
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Remington Steele premiered so long
ago I was still in college. It starred a
then-unknown baby-faced Pierce Brosnan as the title character and the smart,
independent, beautiful and incredibly agile Stephanie Zimbalist as Laura Holt,
the woman who invented the man. The show
was an instant hit among my crowd. At
the time, I thought we were watching it for the cute boys, but as I watch the
show now, 30 years later, I realize the great appeal of the show was the way it
matched the zeitgeist of the moment.
Laura Holt invents Remington Steele because no one will hire a female private
investigator. As feminists-in-training
at a Catholic women’s college in the rolling hills of southwestern Pennsylvania, we were
convinced we could do any job a man could and at least as well. We took for granted the idea of women in
leadership roles since we were taught by nuns and ex-nuns (and men willing to
work for nuns and ex-nuns.)
The college’s
publicity materials referred to us as “Woman-centered Centered-women.” We lived up to the woman-centered part,
though centered-womanhood was still a few years off for most of us.
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Grant and Hepburn for the 80s. |
The show cleverly paid
homage to 30s and 40s screwball comedies and mysteries like The Thin Man or pretty much anything
with Cary Grant and Katharine Hepburn.
It was stylish and clever, an hour-long mix of light-hearted mystery,
comedy and romance where the mystery-solving and romance were almost entirely
on the woman’s terms. To this day, I
don’t think there has been a TV romance where the woman unapologetically runs
the business and the relationship. Can
you think of one?
We loved Laura because she was one of the few characters on television who was
her own boss. Her “decidedly masculine
superior” was just a bunch of empty suits and never-worn shoes in a hotel
room. She operated in a traditionally
man’s world by her own rules and that’s what we were being prepared to do. She opened a detective agency with her pal
Murphy Michaels (James Read) and had a secretary named Bernice Foxe (Janet
DeMay) who was a bit of a retired party girl.
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Handsome stranger slips into Remington's shoes and Laura is not pleased |
In the first episode a mysterious man shows up and literally slips into the
shoes of Remington Steele. He spends the
rest of 4 seasons applying his "eclectic" skills to detective work, trying to
earn Laura’s trust and falling in love with an impossible woman he can’t
resist. Meanwhile Laura spends 4 years
yelling at him, demanding to know his real name and insisting that while they
can snog all they like, they will draw the line at the bedroom. Sounds like Kate and Cary, doesn’t it? (Laura even uses the name
Tracy Lord when she goes under cover, a nod to Hepburn’s character in The Philadelphia Story)
I started watching the Remington Steele
DVDs again thinking that it would be a soothing nostalgic show to watch while
trying to fall asleep. Today’s procedurals make me anxious and grossed out,
which is not helpful when one is trying to relax. There is too much gore and explicit violence
against women by both the criminals and the macho males going around shooting
everything in NCIS or CSI or SVU or even shows with actual characters in the
name like Castle. In an interview,
Stephanie Zimbalist says their motto was “The blood isn’t real on Remington
Steele.” And thank goodness.
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Armed with trophies, vases and 2x4s |
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Back in the days of Steele, there
was a running joke about never knowing where the agency’s lone gun was because
they rarely used it. Finding bullets for it was the second problem. Remington
regularly makes a point that he hates the things. There
is plenty of running after crooks in the show, but rarely with firearms. Almost always, Remington, Laura and Murphy
have a vase, a trophy or a 2x4 conveniently at hand to absurdly conk their foes
in the back of the neck with. Nobody
really gets hurt, just knocked out temporarily. I find that soothing when I am trying to fall asleep.
And it’s much less noisy than all of today’s gunfire.
Unlike a lot of shows from the 80s, Remington Steele holds up fairly well
visually. There was careful attention to
details as the designers tried to evoke the 30s and 40s. Pierce’s British/Irish
accent has a certain Cary Grant cadence while Stephanie does a great job
imitating that studio-trained Englishy accent that actors used in old movies.
Big 80s hair, shoulder pads and Jane Fonda workout garments are kept to a
minimum. Steele’s apartment is decorated
as homage to art deco style with a few framed movie posters to reinforce the
call-backs to the period. In the second
season, the agency acquires an old Austin
to chase suspects with when the limo seems too flashy.
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Annoying Carole Little for St Tropez West dress |
Mercifully, Laura’s hair is worn long and carefully pulled away from her face
in 40s styles. Even when she wears a
pony tail, there is no scrunchy in sight. Many of her suits have the broad
shoulder jacket with straight skirt to match the hairstyle. (Though there are a few “sporty separates”
supplied by Carole Little for St Tropez West that annoy me) Remington just
wanders around with thick dark hair that's perfectly coiffed or tousled artistically on his
forehead while modeling impeccably tailored suits, tuxes and the occasional
riding breeches. Beyond the plots and
the non-graphic violence, even the clothes are soothing.
The plots are usually stolen from Agatha Christie stories or Hitchcock films
whether the reference is Psycho, Rear
Window or The Trouble with Harry all
mixed up with a dollop of Preston Sturges.
Suspend your disbelief and go along for the ride because this is meant
to be fun. “Reality” is so overrated.
Long before the IMDB, Remington was a vintage movie buff who was always
comparing their case to some scene in those old caper movies. I had no idea what he was talking about then,
but 30 years later, I have caught up with Remington’s references and they are
much more fun now that I’ve actually seen the old movie.
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Under cover tour guides |
It’s amusing to catch
James Bond references in the stunts or the score knowing in hindsight that
Pierce Brosnan would eventually play the role.
The number of museum break-ins Laura and Remington pull off surely
inspired him to star in a remake of The Thomas Crown Affair
I thought that first
season was perfect. But the
powers-that-be decided that there was “character clutter” and they couldn’t
find enough for Miss Foxe and Murphy to do. Kindly, they freed the actors to go
do other shows while consolidating both characters into one for the rest of the
series.
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At least Murphy and "Miss Wolf" got sandwiches. |
I can understand why they did that, but I have never been able to forgive them
for replacing the gorgeous James Read and the world-wise Janet DeMay with Doris
Roberts as Mildred Krebs. Mildred
arrives at the Steele agency as a member of the IRS Fraud Squad investigating
why Remington Steele didn’t file income tax returns. She spends the rest of the series as a comic
relief sidekick.
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Even Doctor Who tries to silence Mildred Krebs. |
I am sure Doris Roberts is a perfectly lovely person, but when the series first
aired, I had no need of that clueless old fuddy-duddy wasting my time in this
show when it could have been the smart, young and attractive Bernice and
Murph. To my disbelief, I looked Doris up on the IMDB and learned that she was just a year
older than I am now when she took that role.
OMG! Is that how people see me?
Or is 52 the new 42? (Oh please
let it be the latter)
At 52, I do have a very different perspective on the Laura/Steele relationship
than I had in my 20s. In those days,
Laura made perfect sense to me. She was
independent and didn’t need a man around and was frustrated with her own
weakness falling in love with a man she knew couldn’t possibly be good for her.
She constantly tested him and accused him of not being trustworthy. She always assumed the worst of Remington
despite the fact that he stayed around no matter how badly she treated
him.
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Laura, put the phone down and listen to him! |
I didn’t see any of that in my 20s.
Because that was pretty much how I was operating. (Gee, how did I end up a spinsta?) Now I want to shake both Laura and my
20-something self and explain a few things.
I would suggest that there are men who are human and have feelings. Not
every single one of them wants to oppress women in every possible way. I want them to know that they are sabotaging
themselves by making assumptions rather than asking questions and listening
carefully.
I have so much sympathy
for the lost character of Remington who never had a real home and family, who
did what he had to in order to survive and who loves this impatient, proud,
pain-in-the-ass of a woman that somehow feels like the first safe home he has
known.
It’s kind of amazing to me the way visiting characters I adored 30 years ago
have given me a window to see who I was at the time.
So I am recommending this show that is apparently much more than a show to
me. It is a time-capsule of my own early
adulthood as well as an entertaining series that holds up well because it
doesn’t take itself too seriously, though it wears its heart on its perfectly
tailored sleeve. Or the occasional
Laura Ashley dress.
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A London adventure. |
There are some really gorgeous episodes because they somehow had the budget to
film in Mexico, England, Ireland,
and around the Mediterranean. (It was extremely difficult to film Los Angeles locations during the 84 Olympics, so they just went to Europe)
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Cassandra Harris guests as her husband's old girlfriends. |
Pierce Brosnan’s first wife
Cassandra Harris wanders in as a couple of different old girlfriends of
Remington’s. Don’t watch too closely or
you will start to obsess (as I do) about whether her characters Anna and
Felicia were twins or just doppelgangers. Knowing Cassandra died a few years later of
ovarian cancer makes her scenes with Pierce bittersweet.
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Efrem Zimbalist Jr. as Remington's mentor, Daniel Chalmers |
More satisfying are the
appearances of Stephanie Zimbalist’s dad Efrem as an old con-man pal of
Remington’s. His rapport with Brosnan
and the obvious fun he has playing opposite his daughter are delightful.
There are 22 episodes in
each of the first 4 seasons. To this
day, my favorite episode is Vintage
Steele in the first season where Laura and Remington investigate the
disappearance and reappearance of an unidentified body. There are monks who
have taken a vow of silence involved in this show, not to mention a very
memorable game of Charades. And the kissing scene was good enough to appear in
the opening credits for the next few seasons.
I can recommend the other
87 episodes in those first 4 seasons as well.
But then things went to hell. NBC
canceled the show. Then it was announced
that Pierce would be the next James Bond, so NBC un-canceled it and demanded 6
more hours. Stephanie had already
accepted another role too, so there was a lot of bumming going on as they shot
that last season. Most of the writing staff had left for new jobs as well, leaving those last few scripts in the hands of newbie writers and rather absent editors.
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Upper Right: Jack Scalia as character clutter. |
For some reason, the powers-that-be forgot about how they had gotten rid
of the first season’s “character
clutter” and decided to add another
character—another rival for Laura’s affections in the person of Jack Scalia as
Tony Roselli. None of us who loved the
show can ever forgive them for that.
Those last 6 hours are excruciating to get through no matter how much we adore Laura and Remington. No matter that
Efrem Zimbalist shows up. No matter that
they shot in Mexico, London and a castle in Ireland. Nothing could make up for Tony Roselli.
So if you haven’t seen
those last 6 hours, go ahead and watch to see how it ends, but really, the
first 4 seasons are plenty. And the last
episode of the 4th season is a good enough way to end the
series.
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Season 4 Finale. It's all you need. |
You can stream the first 3
seasons on HuluPlus and Amazon if you are looking for light entertainment or a
bedtime sedative. If you catch up with my old pals Laura and Remington, let me
know what you think. Am I giving it too
much credit because I am still in love?
Or is there something timeless there that you won’t find in other shows
from the early 80s? (I’m looking at you,
Moonlighting)
Oh and be sure to watch all the way to the end for the MTM kitten’s take on the
show.
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What took People so long to figure this out? |
The opening credits for Season One are probably burned into your brain, but just in case you missed them:
"Try this for a deep dark
secret: The great detective Remington Steele... He doesn't exist. I invented
him. Follow: I'd always loved excitement, so I studied and apprenticed, and put
my name on an office. But absolutely no one knocked on my door. A female
private investigator seemed so... feminine. So I invented a superior. A
decidedly masculine superior. Suddenly there were cases around the block. It
was working like a charm. Until the day he walked in, with his blue eyes and
mysterious past. And before I knew it, he assumed Remington Steele's identity.
Now I do the work, and he takes the bows. It's a dangerous way to live, but as
long as people buy it, I can get the job done. We never mix business with
pleasure. Well...almost never. I don't even know his real name!"
I do not
own the copyrights for these photos which appear to be publicity materials from
NBC or MTM.